Operator Kuznetsov proved himself a master of light effects, he masterfully combined light as a common background with spotlights. Lev Kuleshov wrote: "When shooting, we used the light of day as a general background, and the actor playing floodlit with the addition of mercury lamps. Once accidentally got the sun glare on slightly ryabivshuyu water, filling the room, gave amazingly beautiful alternating light spot on the wall, and the operator Kuznetsov them very well filmed in one of the Vogel plans that corresponded to the script. "
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